Monthly Archives: December 2011
2011 has been a great year for small town television. There are shows that positively showcase small town life (Friday Night Lights, The Middle, Parks & Recreation), and there are those that accurately showcase different aspects of small town life (Justified). Not only that, but these shows represent good, quality television that people are watching and enjoying. Many have ended up in various television bloggers’ top 10 lists of 2011 shows, including the above-mentioned Friday Night Lights, Parks & Recreation, and Justified.
So I’ve decided to do a different list, that of the television characters that make these shows so great. This way I get to cheat and include the shows I enjoy multiple times.
In keeping with the blog theme, all of these characters are on small town shows (or small town-ish shows). But, if I were to include all great TV characters from 2011 there’s not many spots that would be replaced here…and my 1, 2 and 3 would certainly remain the same. Since Albuquerque, New Mexico is a big city you won’t find Walter White or Gus Fring here, but enjoy some Raylan and Boyd instead.
10. Burt Chance on Raising Hope
“Good news, I’m not a Jehovah’s Witness. Bad news, I’m a sex offender.” – Burt Chance
I somehow missed the Raising Hope season 1 bandwagon, but when I saw it show up on Netflix Instant with the description “man raises baby after one-night stand with a serial killer” I decided to give it a shot. I think my husband and I mainlined those first 22 episodes over a weekend time period and immediately signed up for season 2 on our DVR. The performance I most enjoy, besides baby Hope, is Garret Dillahunt as the dad/granddad who managed to knock up his own girlfriend (now wife Virginia) as a teenager and thus becomes a grandfather when his son does the same at age 23. Burt Chance is a family man with a hard work ethic, who just happened to also be a sex offender for said impregnation offense but is definitely NOT a Jehovah’s Witness come to convert you. Check out his Bro-Gurt coming soon to the Natesville Howdy Market.
9. Santana Lopez on Glee
“The only straight I am is straight-up bitch.” – Santana Lopez
I don’t love Glee, and oftentimes I don’t even like Glee. But as much as I fault the show for its myriad of problems (both character-based and ridiculous plot-based), I do quite enjoy the character of Santana Lopez, played by Naya Rivera. While the character of Kurt has been more open with his sexuality, this season Glee focused on Santana coming to terms with and opening up about hers. The episode where her sexuality was to be revealed by a pizza chain owner’s television ad because of something Finn said in school was great (if not a convoluted way to get there). Then the episode that was supposed to show Santana actually coming out to the people in her life fell flat; her parents were okay with it but we didn’t see that because it happened off screen, and her grandmother was thrown in as someone new to at first be like “oh, how cute, look at the little old lady,” and then immediately twist the knife and reveal that abuelita is a homophobe who thinks Santana should keep her sexuality to herself. But even though all that muck, Santana was still a character whose outcome I cared about, and who is one of the bright spots on an uneven show.
8. Becky Sproles on Friday Night Lights
Luke, I want to start over, XO Becky
Becky is a character I greatly disliked at first. I didn’t like her pageants, I didn’t like her relationship with Tim, and I didn’t like the way she presented herself. She was this whiny little girl with a huge crush on Tim Riggins, for seemingly no other reason than he paid attention to her. When Luke was crushing on her, she was distant with him. Then, she got pregnant and that’s when I started to see the heart underneath the pageant exterior. For me Becky shot from unlikeable to FNL MVP almost immediately. I had long thought Becky’s unyielding focus on Tim was selfish, and yet I saw her abortion as completely selfless. Becky had always been reminded by her own mother what a mistake she was, and she didn’t want to go down that same path with a child she was not ready to care for. One of the many things I loved about FNL was its realistic presentation of teenagers, and the growth Becky exhibited from season 4 to season 5 was both realistic and poignant. Becky Sproles FTW.
7. Dr. Tara Knowles on Sons of Anarchy
“He’s mine.” – Tara Knowles
There were only two possible paths for Tara in season 4 of Sons of Anarchy – keep the good doctor on the straight and narrow and written right off of the show, or become the Queen of SAMCRO. Maggie Siff does an amazing job portraying Tara and seeing her darker side will only bring good things to this character in season 5. Her performance alone in the two-part season finale ranged from sadness and grief at what she is losing (Oregon), to manipulation for what she would not lose (Jax), to assassin helper (“and this is how you do it.”), to her final transformation as Gemma 2.0, leaving lots to look forward to from this character in 2012.
6. Dillon, Texas on Friday Night Lights
Throughout Friday Night Lights’ five season run, supporting characters came and went, but Dillon was a constant, and was as important to the series as any character, large or small, was. I was immediately drawn to this show, and to Dillon, for its stunning realism and accurate portrayal of a small town. The producers didn’t try and recreate small town Texas in big city California, but instead the cast, crew and producers spent five years of their life living in and around Austin, Texas where the show was filmed on location. This added depth to the show made me love Dillon even more, because the terrain was real and true to the fictional place where the show took place. So much of my attraction to this show was personal, and indeed I did see a lot of my own small town in Dillon (though mine was much, much smaller); one of the two restaurants was an ice cream shop that could have been a stand-in for the Alamo Freeze, sports was a huge back-drop to the town, and the economical struggles of the residents mirrored very much as in Dillon. I will miss the show FNL, and I will miss the characters, but anytime I get home sick I can put in one of my DVDs (or find it on Netflix Instant) and be taken back via Dillon.
5. Leslie Knope on Parks &Recreation
“The only thing I’m guilty of is loving Pawnee.” – Leslie Knope
What can one say about the most highly caffeinated (or other upper-stimulated) character on television? Leslie is the workaholic Deputy Director of the Pawnee, Indiana’s Parks Department. Leslie is charming and tenacious, if not at times mildly irritating. And I’m not much of a ‘shipper for any TV show, but her relationship with Ben has unfolded beautifully in a way that works for each of those characters. Leslie is one of my favorite female characters on television because she doesn’t apologize for who she is, and she owns up to her flaws, as we saw when she had her ethics trial and began to see that what she had done maybe did cross some lines. She wanted to make amends not to help her campaign, but because that is who Leslie Knope is.
4. Sue Heck on The Middle
“Sue Heck does not give up.” – Sue Heck
Sue Heck above Leslie Knope? Let’s go with this logic…in my imaginary high school I believe Leslie Knope was once just like Sue Heck. Which came first, the teen with the drive and desire to be a part of everything but without the social skills to do it, or the adult with the same drive and desire who has turned social awkwardness into a winning formula?
I love Sue, and not just because I identify with her from my own high school time. Sue is a character for whom nothing goes right, but who never sees that as wrong. Eden Sher plays this character out of the realm of caricature and into a real teenager who wants all that she does and doesn’t understand what is holding her back. She even only has a birthday once every four years (she was born leap day, Feb. 29, 1996). Sue is the epitome of optimism both on this show and on television in general, and her desire to be a part of something without compromising who she is is not needy but rather refreshing.
Sue’s drive and passion lead to hilarious and heartwarming encounters with her friends (or friend, Carly) and her family. And whenever Sue’s around, there’s always a chance of a Reverend Tim Tom sighting!
3. Raylan Givens & Boyd Crowder on Justified
“I was wondering if back when we were digging coal together that you had an inkling of the man that I might someday become.” – Boyd Crowder
“You mean just 40 and still single?” – Raylan Givens
I could have included these two separately, as they are both quality and stand-out characters in their own right, but it’s when Raylan and Boyd are together that they soar.
Rayland is the law man and Boyd is the criminal, but wow are there ever times when the lines between these two cross something fierce. Boyd was supposed to die in the pilot episode but was saved that fate because there was so much rich story between him and Raylan to tell. Who saved Raylan from Dickie’s bat in the season 2 ender? Boyd. Who assisted Raylan in the season 1 ender shoot-out? Boyd. Who uttered this line in that same episode to Raylan: “No, Raylan, I’m gonna bet my life on you being the only friend I have left in this world.” Boyd. And who are the two characters prominently featured together in the season 3 Justified promos? Yes, Raylan and Boyd.
Here are the last 90 seconds of season 1, featuring the beautiful song “You’ll Never Leave Harlan Alive,” sung here by Brad Paisley.
And who will be turned into FX on January 17 as the new season premieres? This gal. I suggest you do the same.
2. Coach Taylor and Tami Taylor on Friday Night Lights
“It’s my turn, babe. I have loved you and you have loved me and we have compromised, both of us, for your job. And now it’s time to talk about doing that for my job.” – Tami Taylor
And the Emmy goes to…Kyle Chandler. That’s one of my favorite TV lines from 2011, due to the much deserved and long-overdue recognition for one of the most realistic performances and characters to grace our television screens. If only Connie Britton had gotten the same recognition (because it certainly isn’t coming for American Horror Story).
Much like Raylan and Boyd, you can’t have Coach without Mrs. Coach. Kyle Chandler and Connie Britton portrayed for five seasons the most realistic television marriage ever. Yes, ever. They supported each other, they challenged each other, and in the end they chose each other over Dillon Panther football. Now that’s love, right?
1. Mags Bennett on Justified
“It was in the glass; it wasn’t in the jar.” – Mags Bennett
Mags, you had me at the above-referenced line. In fact, that line was my pick for top TV line of 2011, just as you are my pick for top TV character (small town or not). You were such a force to be reckoned with on Justified’s season 2, and your season ender was how Sons of Anarchy should have done theirs. Margo Martindale’s Emmy win for Best Supporting Actress was as delightful as Kyle Chandler winning his, and I would watch the shit out of a show featuring only the Bennett clan’s back story. Or, you know how The Muppets had Muppet Babies? I would watch Bennett Babies all day long. Someone, quick, make that show happen!
Mags, all you wanted was to be a good mama, but your boys never quite let you live up to that potential with all their shenanigans. As if loosing Cooter wasn’t enough, when you realized Doyle was the second of your sons to die in about as many days, your heartbreak in realizing that only Dickie remained was palpable. I strongly suspect we’ll be seeing more of Jeremy Davies’ Dickie in the new year, but I will miss you, Mags, and your special brand of apple pie.
I heard a preview for a story on NPR this morning whose subject immediately caught my attention – stereotypes of Southern “rednecks” on television. Yes, I thought, redneck stereotypes are wrong and now NPR sees it too. Complete validation.
Then I heard the story.
Reporter Eric Deggans does a fine job of saying what is wrong with the presentation of rednecks on television, specifically reality television. In theory, I agree with the premise of the story – stereotypes of the South and of southern people as uneducated, toothless, bigoted, country bumpkins are very unfortunate indeed. Frankly the whole genre of reality television is one unfortunate stereotype after another, but the southern ones are especially grating for they are almost taken as fact, rather than as caricature.
However, in some of the titles discussed the only thing that appears to present these people as uneducated is the fact that they have a job Mr. Deggans has never heard of and they have a southern accent.
Hillbilly Handfishing presents “noodling,” which is a type of fishing I would never do, just as I would never do the dangerous Bering Sea fishing presented on Deadliest Catch. But it is just that – a different way of fishing other than sitting on a boat waiting for a catch. My dad watches this show, and from the brief glimpses of it I got when visiting my parents’ house this summer, the guys who actually lead these “noodling” trips are pretty smart. Fishing is nothing if not an art, and putting your arm in some unknown crevice to get a catfish takes that art to a whole other level. I don’t make an effort to watch this show, but I don’t think the people on it need stereotype protection anymore than anyone else on a reality show does.
Another show Mr. Deggans used in his examples of “awful” southern stereotypes is Rocket City Rednecks, a show literally about rocket scientists and/or others who have many advanced degrees who just also happen to have a southern accent. Here’s a clip of them using moonshine to launch a rocket.
Things you will notice in this clip:
- Southern accent – yes
- Moonshine – yes
- Rural area – yes
- Intelligence – yes
- Uneducated country bumpkins – no
But what does Mr. Deggans say about them? “Even when these guys have Ph.D.s in aerospace engineering, the show makes them sound like extras in a Hee Haw skit.” (aka their regular accent which does not appear to be played up at all but apparently even makes rocket scientists dumb).
As with all reality television shows, these people signed up to be on these shows and thus have a say (or at least have an opportunity with their actions) to affect how they are perceived. I have to wonder how the Rocket City Rednecks feel they are portrayed.
But then Mr. Deggan’s argument changes to not being so much against redneck stereotypes as he is just against rednecks in general. I was especially irritated by this line:
”These shows give you a South with no people of color, and they weirdly lack contact with sophisticated southern cities like Atlanta or Dallas; I guess it’s tough to play the bumpkin card when you’re looking at skyscrapers and a booming technology corridor.”
What I took from this is only “sophisticated southern cities” are worth talking about when you feature the South, because rural areas do not have booming technology corridors or skyscrapers. I believe there are already several shows about “sophisticated” Dallas – let’s see there is Most Eligible: Dallas, and also The A-List: Dallas, don’t forget Big Rich Texas, and of course Dallas Divas and Daughters, oh and one more Dallas Cowboys Cheerleaders: Making the Team. Now granted all I know of any of these shows is what I see on the clip show The Soup but I don’t think any of them feature booming technology corridors. The skyscrapers, though, probably do make an appearance.
Now, I know I’m taking too much out on NPR and Mr. Deggans here. Overall I’m thrilled that a major “cultural” media outlet would give time to such a story. In a time when we have shifted away from un-politically correct ethnic/race/religion/gender stereotypes, regional stereotypes, and in particular the Southern backwoods bumpkin stereotype is one of the few that remain culturally acceptable. But what could have been a frank discussion about southern media stereotypes instead turned out to be an effort to divert your attention elsewhere – “hey why don’t you leave those country folk alone and come look at our nice cities,” – thus, validating the stereotypes that they initially were saying are bad.
Oh, and a real thing of beauty – NPR placed this story on their website and allowed people to comment on it, but it took almost all day for them to realize that the reason so many comments were being blocked was because they had listed “redneck” as a bad word in their blockage dictionary.
I am a huge supporter of NPR and this won’t change that at all, but I think they really missed a great opportunity here and clearly it ruffled my feathers. I don’t buy into the NPR left-leaning bashing and I think they are the most balanced of any coverage you’re likely to find anywhere, but even the most ardent NPR supporter can have a real “wtf?” moment with one of their stories.
To recap, here’s why I did not care for this story: southern accent = stupid; cities/industry = sophistication; rural areas = bumpkin.
Let me leave you with Mr. Deegan’s closing line: “Despite reality TV’s tendency to stupefy everything it touches, perhaps it’s time for these programs to actually get real and give us a vision of Southern culture that reaches beyond the fun-loving redneck.”
This is the stuff stereotypes are made of folks, and NPR bought right into it today.